Survival of the IllestAre those hints of lemon I detect?Look, I'm just here to get wasted, don't tryto make it more than that.I'd drink motor oil if I thoughtit could get me high; chase it with a shotof antifreezesoyou can keep your survival instincts,locked upin that pretty velvet box (along with allthose other thingsyou thought you could convince yourselfyou lived for). Instincts are the bare bones of the impossibilities we wantedto believe in,remember,those times you tried to tell me that adrenaline was God's way of sayingthatwe were His chosen ones, we were special, we were free. I tried to tell you that instincts an
crystallophonethere is a punchcard sinlike a queen of spades smoldering in an alley.Engine,you hear how the gears churn,singing faster than we did beforeback when black magic dropped like apair of socks from the sky with suppliestaped to a note that said(oh, look at you now)'U.S.A.,freedom.'such a beautiful brain:whatwhat girlruns on gasoline?have a gallonor we can call it a balloon,and a new pair of glassesfor your tapered eyes(you peel the bark back on the logs,darling,but you're not sure what you see),and life says,either nail jello to a tree,successfully,or keep youricicles hanging from the eaves,ca
WhitmanI am all that grows from meand all that grows from me is sacred— my hair, dirty roots reaching towards sky,fed by sky, shifted by its undulating currents my fingers, spiders, crescents, twigs,gaunt, blunt, probing, inquisitive...prurient my ears, awkward conch shells jammed on as if by mistake,rigid and ridged, elven,innocent like unexplored caves for children to bound gaily intoresounding with echoed cheers of courage wantingas if a dozen more children waited within, fearless guides; my nose, obdurate. The reach of my eyes knows no bounds;what walls are there to throw my body against?
plumbumshe has a heart of goldand she, a heart of leadand she, a heart of uranium.and they go walking sometimes, the three of them.gold is confident in her worth,untarnishablebought and sold and bought and soldthe virgin whoreand lead behind,heart heavy in her chestguilt from bulletsand pride from pipesand anxiety from irreparable brain damageand somewhere off to the side treads uranium,tumors growing,white skin glowing,thin frame for a dense core.
RatsWhen I was a little girl, I went to church. Our church was an illegal one: the building was unregistered.We would sit on the benches made from stolen floorboards and listen to a man dressed in black as he read us tales of angels coming to save righteous men from evil, their swords clean and their trumpets blaring.The man dressed in black was old. He was sick. His Bible was missing pages.One day in March, my mother turned to me and said clearly, "Masha, I want you to remember something for when you grow up." Maybe she knew she was dying. "God loves murderers."I just looked up at her, thumb in my mouth. My mother was still a beautiful w
GlassI always laugh when you refer to me as glass.Not just because of the way you say it,(glass-as-in-gas).Or because I know it's a crack at my fragility.Glass is pure.I am like granite -my body nullified from too many clashing traits.Glass is transparent.I am like clay -illegible from all the plastered smiles.Glass is unyielding.I am like chalk -easily broken and scuffed away by meagre things.Glass is hung up on walls and in great cathedrals,tinted for enhancement, but only ever painted on by fools.I am hidden behind keypads and camera lenses,coated in a thick paste of deceptiveness.No, my love,I was never glass. (Despite
despondenti."are you sleepy today?""yes.""but you were sleepy yesterday.""i know."ii.she stirs her pomegranate green-tea until it turns from clear to purplesetting it on her bedside table and climbing back into bed again.her fingers follow the bluer-than-usual constellation veins on her wrists and downto the freckle on her forearm and then the scar on the inside of her elbow crossing the tendon as if it were crux.and then she remembered that God hasn't been with her lately.iii.today is long and sunny but when she steps outside the humidity creaks her bonesand her skin starts to inflame.she assumes that if getting the mail
cliffcliffe.bojnowskion velvet roads,I impale a belated dawn with my incisors andshiver with perfect leaves-I have no qualms with the dark hillsthat slope and stagger into a bed of scorched fly husks:wherethe thrum of the groundmelds with the rapids in my clairvoyant ears.
WaitingWe are still waiting for the thunder from the distant stars,The echo of mortality,the whispers of a storm, half-remembered,in sepia-coloured hallways in buildings that smell like books.Time gets slow in waiting,ghosts are formed from the wanting,taking shape in the spaces where sunlight,or moonlight doesn't touch. The stars shake from the vibration,and the ghosts shimmer in anticipation,but we can't hear your voice in the dead of the night.
the day we diedIt started when space implodedyou pulled me back, landed me on the moon,so we could sit in the vacuum silenceand watch suns spiral down to hell.You radiated, my minuscule flare,your worn heat baked my bones brittle,but it somehow made me stronger.-It ended when your eyes slid lateral,fractured feelings leaking out in tears;it was the first and last thingI ever saw again.This ridiculous happenstance,simple in its impossibility,was what broke us apart:While solar light is beautiful,it blinds when reflected byautomobile metal.
Whale Songs of the PacificListen, the girls swallowed by whales are the ones that grow up lucky.Listen, no one will warn you about the little boys with the magpie eyes and the fists swinging splinters of glass. No one will warn you that their smiles are sweeter than their words are sweeter than their souls are sweeter than their intentions. No one will warn you of the sheer weight of the world.Listen, sometimes girls are fragile. Sometimes girls are frothy. Sometimes girls let boys nuzzle "I love you"s into their necks and sometimes girls drink the wine of believing them.Listen, sometimes the boys really are sweet, and little girls' tart puckered mouths can't ta
relearning i. stardust scatters with thedirection of my pupils –maybe secretly i am anastrology teacher, waitingfor a sign to winkhappily at me. ii. excuse the ramblingnature of forgotten questionmarks, but tell me:would you like to be theobject of handwritten clichéswould you like to whispersecrets in my palmand would youlike to be the possibility iii. air brushes against myskin like the torn petalsof a flower still standing.[ hold your head up high, honey,and tell tomorrow to wait justa while, iv. so you can figure outthe difference between patience and having all the
sci-fi stories about the end of the world1.the species invents propheciesall of which contain terrorsex;a beleaguered sun collapses into itself2.It's not yet night when the committee interrupts the regularly scheduled programmingand describes the inertia as unforgivable.Outside the grief, the cardboard:Every time you teach a computer about distancethe terrorists win.In every scenario: No colorado left,and survivors leave messagesfor the future.Before the last people on Earth forgot how to speak,he thought of that day.The committee was rightto describe space as an absence.3.The more artisticof the species' prophecies include fieldsSomeprese
preludesi.blue rose into the city backdroplike balloons, a million for themorning sun prelude.ii.i've not slept a dreambut i have cried a salty faceand letters spilled like beansinto my moleskine,almost as virgin as i once was with few stories between my covers.iii.the kettle's belly boils like my head upon a pillow.iv.i am guilty for rarely finishing my teaeven when i use the small mugs;pour, rinse, repeat.v. perhaps today i will play dead.vi.perched behind my blindsit dawns on me that i am surroundedby walled neighbours, strangers,they're just preludes to loversthe way i am always prelude to the one.
001. beginnings.Beginnings are vague things. Quite often you can't pin them down to one event you have to trawl back further and further through foggy past, peeling apart what ifs and untangling strands of memories.Eventually one has to go all the way back to the start of the universe, and that's a question even the experts have to shrug their shoulders at. It's not like you can plug it into a calculator and come out with a balanced algorithm. At least, not yet.But it is true that sometimes you can fasten down an occurrence or a moment or even just a single breath, like sticking a thumbtack through a dead butterfly, and label it as a 'beginning' i
subliminal eugenicscars go fastand yes that is obviousand yes that is derivativebut it's still true...cars.go.fastfar faster than even the above average human is designed to goeven when dressed in the most grandiose rhetoricso what does that mean?are there latent effects?physiological...psychological.....chronological.......it's been proven that extreme environments can induce sudden, radial changes in DNAso is it not feasible to think that technology could forcethe occasionally fickle hand of evolutionacutely shape the way we are processed through the factory of timesight,hearing,perception,reaction....all functions
psuedologia fantasticatrust should never be levied on a man who casts no earthly shadow demagoguewhose mythomania has become the placebo of choicethe vein by which to disseminate opiated victory to the massessevered frenums that flood shallowears with sweet deceitsugar-coated promises from pandora's playbookthe harbinger barks and the sheep are always quick to seekthe path that leads straightest to slaughter
introvertthere's no obligation to glow in the dark that is always trailing the sunsome hands are bred to fortifywhile others to pick through the partsand some minds are moldedto cast the smallest shadows, to keep the greatest secrets to themselvesknowing the world is not yet preparedto accept their misgivingsor to feed the leviathan displaced by their swell
extrovertthere is no obligationto glow in the darkshrug off the thundersweat between sheetsthere is no regretin starting great firesno stock to be foundin finite empiresbut the prophecy spokewith an absolute tonevixen flames burningrise to a coneour parade hit a dead-endon the bad side of townnow only skeletons roam where the ferris wheel went down
tin can novapebbles thrown and pebbles lostthe mantra of the albatrossi sit and watch the sky so bluepull a useless tooth or twoawful gods and evil deedsforever twist the masks' of treesand when the star that shows no fearmeanders into my atmosphereill capture it with greedy awedemand it always keeps me warmpluck its feathers with no endto infinity both now and then
time ago"(oh yea, the wind humstime ago-time ago-the rafter drums and the walls see...and there's a door to that birdin the sa-a-a-apling skytime ago by-Oh yeah the surf gigglestime ago time agoof under things killed whenbad was banished and all the doors to the birds vanishedtime ago then)"
darwin's revengein the embryo of the cityin their cage they paint their nails notknowingthat the sun is watching from his trap door in the cloud ceiling wherewhales can't swim but goto dream and drop down their weight in rainnot measured in pintsbut lives overflowedin lost archipelagos fullof automatic islandsthat catch the eyes like needleswhen viewed from further awaythan the end of the world